HANYA AKU YANG TAHU...
GAMBAR INI WAKTU SHUTTING VIDEO KLIP LAGU TEMA SETEM....
TAJUK LAGUNYA "GAGAH" NYANYIAN PACAI OST ADFLIN SHAUKI DAN RASHIDI ISHAK.... NANTIKAN KEMUNCULAN VIDEO KLIP DI KACA TV ANDA......
Saturday, July 4, 2009
Tuesday, June 23, 2009
SETEM aka sebuah filem kabir bhatia
‘SETEM’
SINOPSIS
Prolog
Gabenor Melaka (Lord Arthur Barring) pada 1847 mahukan sesuatu untuk diingati oleh generasi seterusnya. Beliau melantik seorang pembuat jam untuk mencipta sekeping setem. Tetapi setem tersebut ditertawakan oleh Gabenor India kerana terdapat kesilapan. Lord Arthur Barring marah lalu membuang setem tersebut, yang kemudiannya dikutip oleh cucunya….
Tahun 2008
Charles Barring IV mengadakan sidang akhbar di Kuala Lumpur. Beliau mempamerkan warisan keluarganya, Setem Barring. Setem Barring melalui perjalanan yang panjang dan kini kembali ke bumi Melaka, di mana ia dihasilkan. Ianya akan dipamerkan di Muzium Melaka. Sid dan Joe menghadiri sidang akhbar itu, dengan tujuan mahu mencuri setem yang dianggarkan bernilai jutaan ringgit. Sebenarnya, Pak Ramli yang memaksa Sid dan Joe mencuri setem tersebut. Mahu tidak mahu, Sid dan Joe terpaksa melakukannya kerana budi Pak Ramli yang menjaga mereka di rumah anak yatim tersebut.
Namun, bukan hanya Sid dan Joe yang mahukan setem itu. Piranha Lim, seorang ketua kumpulan Ah Long juga berminat. Begitu juga dengan Vellu yang bekerja sebagai pemandu di syarikat keselamatan yang akan membawa setem tersebut ke muzium.
Masing-masing merancang untuk mendapatkan setem tersebut. Malangnya bukan semudah itu untuk mendapatkan setem tersebut. Oleh kerana begitu banyak perancangan yang dilakukan untuk setem tersebut, keadaan menjadi kacau-bilau. Setem tidak sampai ke tangan Sid & Joe, Piranha Lim mahupun Vellu. Ianya singgah di tangan Aryanto, seorang pendatang tanpa izin yang tidak mengetahui apa-apa. Aryanto membawanya ke rumah kongsi Marcello. Malangnya sekali lagi setem tersebut singgah ke tangan orang lain pula iaitu Iskander, pemuda buta yang juga tidak mengetahui apa-apa tentang setem tersebut. Yasmin, kakak Iskandar yang ternampak setem tersebut, lalu menampalnya pada surat permohonan untuk membiayai pembedahan mata Iskandar.
Siapakah yang memilikinya? Apa pula berlaku kepada mereka semua? Nantikan kemunculan ‘SETEM’ di pawagam berhampiran anda…..
Friday, May 1, 2009
Ideologi Boal patut dikembangkan dalam memperbetulkan politik di Perak????
Assalamualaikum w.b.t dan salam sejahtera.....
Berjumpa lagi kita.....
Rasanya korang semua tahu apa yang berlaku kat perak...tapi pernahkah anda semua terfikir, manusia sekarang ini berperang bukannya kerana kebenaran lagi tetapi sebaliknya berperang kerana inginkan kuasa dan politik yang berbaur kotor dan jijik. Mengapa pemimpin kita pada masa kini lebih suka bergaduh kerana politik???menipu masyarakat sekeliling.... Masyarakat M'sia ni bodoh ke...atau kurang berfikir atau tak ambil tahu.... Macam-macam persepsi yang boleh kita katakan dalam menilai masyarakat kita ini. Sedarkah kita pemimpin ini salah satu tugasnya memimpin rakyatnya atau pengikutnya? kalau dah kata mengikut arusnya maka rakyat akan terpengaruh dan hidup dalam kepimpinan pemimpin la.... Kalau pemimpin itu pandai berlakon dan menipu rakyat maka rakyat pun akan jadi bodoh dan tergolong dalam golongan pesimis seperti yang dikaji oleh Frankfurt School di Amerika pada awal 1930-an, di mana masyarakat di Amerika pada masa itu terikut-ikut dengan propaganda kerajaan, meiyakan sesuatu itu adalah benar dan betul bagi pihak kerajaan, tanpa memikir dan mengkaji kesungguhan kerajaan Amerika dalam membantu rakyat. Tapi sekarang lihatlah kat Amerika kerajaan berubah pun tapi masih ada permainan boneka politik yang diasaskan oleh Pemimpin juga..... Anda tahu tak Augustus Boal.... Pemimpin di Brazil yang sangat hebat pemikirannya dan memimpin rakyat dengan cara yang betul dan tidak ada makna kuasa mutlak dalam hidupnya, ibarat beliau dan rakyat di Brazil sama sahaja... beliau adalah merupakan pemimpin kalau kat Malaysia macam Adun lah...macam YB jugak la tapi... Beliau YB yang terkenal dengan kritikan terhadap persembahan teater yang bermesej bagi tujuan MENEGAKKAN KEBENARAN....
BIOGRAFI AUGUSTO BOAL
Boal, Augusto
May 2000
In the 1960's Dr. Boal Augusto developed a process whereby audience members could stop a performance and suggest different actions for the actors, who would then act on the audience suggestions. Audience members became empowered not only to imagine change, but to generate social action. In 1971, after the publication of his first book, The Theatre of the Oppressed, Boal was arrested, tortured, exiled to Argentina and self exiled to Europe. He continued to teach his revolutionary approach to theatre, establishing several Centers for the Theatre of the Oppressed. In 1981 Boal organized the first International Festival of the Theatre of the Oppressed in Paris. In 1992 Boal ran and successfully won the position of Vereador of Rio, and developed a forum type of theatre, the Legislative Theatre, to identify key problems in the city. Using this forum concept, he employed dynamics of the theatre to discuss what kinds of legislation needed to be enacted to address community problems. The resulting discussions and demonstrations became the basis for actual legislation put forward by Boal in the Chamber of Vereadors. In 1997, Boal was awarded the Career Achievement Award by the Association for Theatre in Higher Education during their national conference.
Menurut WIKIPEDIA,
Augusto Boal (born April 16, 1931 in Rio de Janeiro, Brazil) is a theatre director, writer and politician. He is the founder of Theatre of the Oppressed, a theatrical form originally used in radical popular education movements. Boal served one term as a Vereador (the Brazilian equivalent of city council seat in US politics) in Rio de Janeiro from 1992 to 1996, where he developed legislative theatre[1]. Boal was recently nominated for the 2008 Nobel Peace Prize
Early Life
Boal took an interest in theatre at an early age, but did not become involved until he received his degree. Shortly after graduating from university, Boal was asked to work with the Arena Theatre in São Paulo, southeast Brazil. It was here that he began to experiment with new forms of theatre.
[edit] Exile
Boal’s teachings were controversial, and as a cultural activist he was seen as a threat by the Brazilian military regime. In 1971 Boal was arrested and tortured. He was eventually exiled to Argentina, where in 1973 he published his first book "Theatre of the Oppressed". He later fled to Europe, and eventually lived in Paris. There he taught his revolutionary approach to theatre for 12 years, creating several Centers for the Theatre of Oppressed, and in 1981, organizing the first International Festival for the Theatre of Oppressed.
After the fall of Brazil’s military dictatorship, Boal returned to Rio de Janeiro where he lives to this day. He has since established a major Center for the Theater of the Oppressed in Rio (CTO Rio), and has started over a dozen theater companies that work to develop community-based projects.
[edit] Influences
Most of Augusto Boal’s techniques were created after he realized the limitations of didactic politically motivated theatre in the poor areas where he worked. He found that his attempts to inspire the people living in poor or 'slum' areas to rise up against racial and class inequality were inhibited by his own racial and class background, since he was white and comparatively financially comfortable. His new techniques allowed the idea of rebellion and the impetus for change to come from within the target group. Much of his early work and teaching was inspired by a Marxism philosophy, although through his career he has not been restricted by this and much of his work now falls within the boundaries of a centre left ideology.
Paulo Freire was a major influence on Boal’s teachings. He and Freire became close in later years. When Freire died, Boal said "I am very sad. I have lost my last father. Now all I have are brothers and sisters".[3]
Pemimpin macam Boal ni tak ada dalam M'sia lagi.... Tapi harap-harap la ada.... Bagi saya, yang juga mempelajari teknik Boal ni di Usm, memang patut dikembangkan dalam masyarakat kita melalui pentas manusia yang terbuka....
Berjumpa lagi kita.....
Rasanya korang semua tahu apa yang berlaku kat perak...tapi pernahkah anda semua terfikir, manusia sekarang ini berperang bukannya kerana kebenaran lagi tetapi sebaliknya berperang kerana inginkan kuasa dan politik yang berbaur kotor dan jijik. Mengapa pemimpin kita pada masa kini lebih suka bergaduh kerana politik???menipu masyarakat sekeliling.... Masyarakat M'sia ni bodoh ke...atau kurang berfikir atau tak ambil tahu.... Macam-macam persepsi yang boleh kita katakan dalam menilai masyarakat kita ini. Sedarkah kita pemimpin ini salah satu tugasnya memimpin rakyatnya atau pengikutnya? kalau dah kata mengikut arusnya maka rakyat akan terpengaruh dan hidup dalam kepimpinan pemimpin la.... Kalau pemimpin itu pandai berlakon dan menipu rakyat maka rakyat pun akan jadi bodoh dan tergolong dalam golongan pesimis seperti yang dikaji oleh Frankfurt School di Amerika pada awal 1930-an, di mana masyarakat di Amerika pada masa itu terikut-ikut dengan propaganda kerajaan, meiyakan sesuatu itu adalah benar dan betul bagi pihak kerajaan, tanpa memikir dan mengkaji kesungguhan kerajaan Amerika dalam membantu rakyat. Tapi sekarang lihatlah kat Amerika kerajaan berubah pun tapi masih ada permainan boneka politik yang diasaskan oleh Pemimpin juga..... Anda tahu tak Augustus Boal.... Pemimpin di Brazil yang sangat hebat pemikirannya dan memimpin rakyat dengan cara yang betul dan tidak ada makna kuasa mutlak dalam hidupnya, ibarat beliau dan rakyat di Brazil sama sahaja... beliau adalah merupakan pemimpin kalau kat Malaysia macam Adun lah...macam YB jugak la tapi... Beliau YB yang terkenal dengan kritikan terhadap persembahan teater yang bermesej bagi tujuan MENEGAKKAN KEBENARAN....
BIOGRAFI AUGUSTO BOAL
Boal, Augusto
May 2000
In the 1960's Dr. Boal Augusto developed a process whereby audience members could stop a performance and suggest different actions for the actors, who would then act on the audience suggestions. Audience members became empowered not only to imagine change, but to generate social action. In 1971, after the publication of his first book, The Theatre of the Oppressed, Boal was arrested, tortured, exiled to Argentina and self exiled to Europe. He continued to teach his revolutionary approach to theatre, establishing several Centers for the Theatre of the Oppressed. In 1981 Boal organized the first International Festival of the Theatre of the Oppressed in Paris. In 1992 Boal ran and successfully won the position of Vereador of Rio, and developed a forum type of theatre, the Legislative Theatre, to identify key problems in the city. Using this forum concept, he employed dynamics of the theatre to discuss what kinds of legislation needed to be enacted to address community problems. The resulting discussions and demonstrations became the basis for actual legislation put forward by Boal in the Chamber of Vereadors. In 1997, Boal was awarded the Career Achievement Award by the Association for Theatre in Higher Education during their national conference.
Menurut WIKIPEDIA,
Augusto Boal (born April 16, 1931 in Rio de Janeiro, Brazil) is a theatre director, writer and politician. He is the founder of Theatre of the Oppressed, a theatrical form originally used in radical popular education movements. Boal served one term as a Vereador (the Brazilian equivalent of city council seat in US politics) in Rio de Janeiro from 1992 to 1996, where he developed legislative theatre[1]. Boal was recently nominated for the 2008 Nobel Peace Prize
Early Life
Boal took an interest in theatre at an early age, but did not become involved until he received his degree. Shortly after graduating from university, Boal was asked to work with the Arena Theatre in São Paulo, southeast Brazil. It was here that he began to experiment with new forms of theatre.
[edit] Exile
Boal’s teachings were controversial, and as a cultural activist he was seen as a threat by the Brazilian military regime. In 1971 Boal was arrested and tortured. He was eventually exiled to Argentina, where in 1973 he published his first book "Theatre of the Oppressed". He later fled to Europe, and eventually lived in Paris. There he taught his revolutionary approach to theatre for 12 years, creating several Centers for the Theatre of Oppressed, and in 1981, organizing the first International Festival for the Theatre of Oppressed.
After the fall of Brazil’s military dictatorship, Boal returned to Rio de Janeiro where he lives to this day. He has since established a major Center for the Theater of the Oppressed in Rio (CTO Rio), and has started over a dozen theater companies that work to develop community-based projects.
[edit] Influences
Most of Augusto Boal’s techniques were created after he realized the limitations of didactic politically motivated theatre in the poor areas where he worked. He found that his attempts to inspire the people living in poor or 'slum' areas to rise up against racial and class inequality were inhibited by his own racial and class background, since he was white and comparatively financially comfortable. His new techniques allowed the idea of rebellion and the impetus for change to come from within the target group. Much of his early work and teaching was inspired by a Marxism philosophy, although through his career he has not been restricted by this and much of his work now falls within the boundaries of a centre left ideology.
Paulo Freire was a major influence on Boal’s teachings. He and Freire became close in later years. When Freire died, Boal said "I am very sad. I have lost my last father. Now all I have are brothers and sisters".[3]
Pemimpin macam Boal ni tak ada dalam M'sia lagi.... Tapi harap-harap la ada.... Bagi saya, yang juga mempelajari teknik Boal ni di Usm, memang patut dikembangkan dalam masyarakat kita melalui pentas manusia yang terbuka....
Monday, April 6, 2009
Alternative theatre....
Street theatre
What is the street theatre? This sound like walking to the street. No. if you know that street theatre is one of genre performances in outdoor theatre. This performances is most popular in European country like England, France, Italy and now after I’m survey at the internet, I saw this street theatre also have in Asian country like India, Malaysia(mostly in Pasar Seni, Kuala Lumpur),Singapore and the other.
So, after I’m read and watching at the internet, I found that answer about the street theatre. Now in my perception, I think that street theatre is an outdoor performance that need one or above performer to reacting what issue and message that person or they want to shown to the audien especially in public. The issue that they want to perform maybe touching about politic, economy and social. Generally, after i’m read and saw it, I think the person or group that involve in this outdoor performance want to share something issue which public may be also want to succed that issue in future. For example, about human right, violent is not good to all people maybe in family institution, community institution and our country. So the performance touch about how to prevent and reduce the violent. This message also happen in their life. Maybe before this audien ever think that violent must to stop and fight.
In this street theatre also have their independent issue that they act and react to find the juctice. So I think their performance also have many kind of theatre genre, for example, monodrama, monologue, dance-drama, drama, experimental theatre, absurd theatre and the others. Their performance maybe have many movement and they must to chorograph in their own style. Their acting 100% no dialogue and just spontaneous to perform.
Environmental theatre
Environment? Good or Bad? Environment means surroundings or natural world. So what correlation(connection) with theatre. I think maybe their performance in environment space or their main title that called environmental theatre maybe their performance is connected with environment in our nature place that have human, animals, plants, river, rock and the other. Environment
in city is much more modern and have bad condition like pollution, hazer and other.
Why the issue or message that their performer is about environment trouble(bad things) in their performance? I think as a human in the world have a big ability and must brave in what the human also that they do a bad thing such as throw rubbish in toilet, smoke in public site and throw chewing gum in wall. This evidence shown that the issue is likely about that.
I think their actor perform in one or more than one. So the actors have a good attitude as patient, honest and sincere to give a good message to the audien that they also can think and feel like perfomers. Audien maybe do their action after watching this theatre. We don’t know that each audien maybe want to change it(means that maybe the issue is about stop smoking). In public site I think many kind of audien maybe they have profession or not.
They maybe used guitar or other musician instrument to attract and to entertain to audien that they have the right issue to express their thinking to audien also.
Political theatre
Political means that the power of one institution that they have a leader and other commuttee that choosen from elction or maybe from society.
In theatre, I think that started at Europe(Britain) in 20 century that in this time the changing political system happen.France Revolution in that century effect to all street theatre performance and they want independent to our community. They perform in political message to all community to give chance to express their freedom and to their political system from royal system to democracy system. That means they want our people to grow up and don’t be a slave person. Our community in France have their chance to live in their voice. Their leader is a person that born from people voice not from the cruel system before(royal system). This political theatre maybe perform in forum theatre, community theatre and other. This because our workers in this time were fight together in their teamwork move from bad living(poor life)to independent living. That means our people must help together in their life. Political theatre same means like agit-prop theatre. So that’s why 2 type of this theatre have a same message like freedom, independent in their politic system and their life.
Site-specific theatre
What is specific?The word means explicit,precise and special. So, in this theatre maybe perform in specific place in their planning.
In my opinion, I think ‘site-specific’ theatre means that the company,group or a person which doing this performance in precise location and maybe the story or issue in this theatre maintain with the character that the actor must know about the history in that specific place. So, that’s why this performing theatre is depend to their location which they must know what the issue that they choose and they must believe that place can give spirit to their company and group.
On the other hand, this site-specific also related with environment and alternative theatre, but this is not same like the other theatre genre like street theatre and political theatre. Site-specific maybe can perform in absurd and experimental form in theatre but in a reality of site that they choose sometime they do like a real costume such as the issue in that theatre is about working class in office. So their group or maybe a person choose the place in the right place that related with their issue and location(maybe opposite office that they choose).
The actor just feel that their character in their style maybe mime or symbolic condition.
What is the street theatre? This sound like walking to the street. No. if you know that street theatre is one of genre performances in outdoor theatre. This performances is most popular in European country like England, France, Italy and now after I’m survey at the internet, I saw this street theatre also have in Asian country like India, Malaysia(mostly in Pasar Seni, Kuala Lumpur),Singapore and the other.
So, after I’m read and watching at the internet, I found that answer about the street theatre. Now in my perception, I think that street theatre is an outdoor performance that need one or above performer to reacting what issue and message that person or they want to shown to the audien especially in public. The issue that they want to perform maybe touching about politic, economy and social. Generally, after i’m read and saw it, I think the person or group that involve in this outdoor performance want to share something issue which public may be also want to succed that issue in future. For example, about human right, violent is not good to all people maybe in family institution, community institution and our country. So the performance touch about how to prevent and reduce the violent. This message also happen in their life. Maybe before this audien ever think that violent must to stop and fight.
In this street theatre also have their independent issue that they act and react to find the juctice. So I think their performance also have many kind of theatre genre, for example, monodrama, monologue, dance-drama, drama, experimental theatre, absurd theatre and the others. Their performance maybe have many movement and they must to chorograph in their own style. Their acting 100% no dialogue and just spontaneous to perform.
Environmental theatre
Environment? Good or Bad? Environment means surroundings or natural world. So what correlation(connection) with theatre. I think maybe their performance in environment space or their main title that called environmental theatre maybe their performance is connected with environment in our nature place that have human, animals, plants, river, rock and the other. Environment
in city is much more modern and have bad condition like pollution, hazer and other.
Why the issue or message that their performer is about environment trouble(bad things) in their performance? I think as a human in the world have a big ability and must brave in what the human also that they do a bad thing such as throw rubbish in toilet, smoke in public site and throw chewing gum in wall. This evidence shown that the issue is likely about that.
I think their actor perform in one or more than one. So the actors have a good attitude as patient, honest and sincere to give a good message to the audien that they also can think and feel like perfomers. Audien maybe do their action after watching this theatre. We don’t know that each audien maybe want to change it(means that maybe the issue is about stop smoking). In public site I think many kind of audien maybe they have profession or not.
They maybe used guitar or other musician instrument to attract and to entertain to audien that they have the right issue to express their thinking to audien also.
Political theatre
Political means that the power of one institution that they have a leader and other commuttee that choosen from elction or maybe from society.
In theatre, I think that started at Europe(Britain) in 20 century that in this time the changing political system happen.France Revolution in that century effect to all street theatre performance and they want independent to our community. They perform in political message to all community to give chance to express their freedom and to their political system from royal system to democracy system. That means they want our people to grow up and don’t be a slave person. Our community in France have their chance to live in their voice. Their leader is a person that born from people voice not from the cruel system before(royal system). This political theatre maybe perform in forum theatre, community theatre and other. This because our workers in this time were fight together in their teamwork move from bad living(poor life)to independent living. That means our people must help together in their life. Political theatre same means like agit-prop theatre. So that’s why 2 type of this theatre have a same message like freedom, independent in their politic system and their life.
Site-specific theatre
What is specific?The word means explicit,precise and special. So, in this theatre maybe perform in specific place in their planning.
In my opinion, I think ‘site-specific’ theatre means that the company,group or a person which doing this performance in precise location and maybe the story or issue in this theatre maintain with the character that the actor must know about the history in that specific place. So, that’s why this performing theatre is depend to their location which they must know what the issue that they choose and they must believe that place can give spirit to their company and group.
On the other hand, this site-specific also related with environment and alternative theatre, but this is not same like the other theatre genre like street theatre and political theatre. Site-specific maybe can perform in absurd and experimental form in theatre but in a reality of site that they choose sometime they do like a real costume such as the issue in that theatre is about working class in office. So their group or maybe a person choose the place in the right place that related with their issue and location(maybe opposite office that they choose).
The actor just feel that their character in their style maybe mime or symbolic condition.
Renungi sajak ini??? hayati dan selaminya????
Rumpun Melayu-Kini
Rumpun kau tahu,
Kita dibelenggu kemiskinan ilmu,
Dijejaki boneka serong,
Pemikiran mereka dahsyat,
Lebihan jenaka lorong dosa,
Yang kini menjadi perkara biasa,
Tak hirau balasan nestapa.
Kita sering dengar kecergasan sivil,
Tidak mengerti kemantapan radikal sosial,
Sempit dan sesat ditambah pula dengan gerudi syaitan goda,
Yang mendukakan imej kau wahai rumpun melayu.
Kini aku fikir penyatuan,
Yang digemparkan wazir kita,
Tidak lengkap jika hanya sekelumit sutra,
Melawani desir ancaman kuasa besar,
Yang mana boleh digerombolkan sedikit demi sedikit,
Sehingga membatasi serakan teriak kata-kata semangat,
Disemai dan disemat di sanubari jiwa.
Kini aku juga fikir kau rumpun,
Perlembagaan dan peganganmu mesti dikukuh,
Kental; padat serta tidak rapuh ditelan zaman,
Supaya menjadi satu resam bangsa berjaya,
Pertahankan linguistik cakapan kita,
Kerana ketika dulu pernah menjadi lingua franca,
Sejak zaman Hang Tuah; Tun Perak; Tun Tahir,
Tetapi lenyap dan longlai akibat arus jajahan
Melanda di seantero pentas tanah melayu tika itu.
HASIL NUKILAN NOR AZRIN SHAH BIN RAMLI
5.06a.m
10/6/06
SMK RAJA CHULAN(idea dan ilham daripada saya sendiri)
Tahukah Wahai Sahabat?
Tahukah wahai sahabat?
Dunia kini diambang globalisasi,
Metodosnya pemikiran kita masih menyepi,
Perlu berjuang mencapai visi,
Diselitkan dengan ragam misi,
Yang selama ini dijauhi diri kita sendiri.
Pemimpin kita bercermin mutu,
Kerana semangatnya dan perjuangannya yang jitu,
Tidak kira Isnin; Selasa ataupun Rabu,
Memasang lukah di jendela pintu,
Melabuh sauh di gapura padu,
Sampaikan negara disanjung; disegani restu.
Wacana minda kita,
Mahukan kemajuan bersama,
Kita haruspasti berpadu tenaga,
Bina kuatan aliran ikatan nama,
Hingga ke titisan akhir masa.
Kita perlu gunakan peluang yang ada,
Realisasikan wawasan negara,
Yang digembar-gemburkan wazir kita,
Jangan kita lalai dan leka,
Dalam mempertahankan daulat bangsa.
Cerapan fikiran Barat,
Yang ingin monopoli sayap dunia sarat,
Kerana mereka imperialisme yang hebat,
Sejarah membuktikan dengan ligat,
Tentang mereka dahulu cepat dan tepat,
Tetapi perlu tahu mereka sebenarnya tidak begitu hebat,
Kerana hanya Yang Maha Esa lebih berkuasa,
Dan akhirnya mereka ditebat-Nya.
HASIL NUKILAN NOR AZRIN SHAH BIN RAMLI
12.20a.m
24/5/06
SMKRC(idea dan ilham sendiri)
Rumpun kau tahu,
Kita dibelenggu kemiskinan ilmu,
Dijejaki boneka serong,
Pemikiran mereka dahsyat,
Lebihan jenaka lorong dosa,
Yang kini menjadi perkara biasa,
Tak hirau balasan nestapa.
Kita sering dengar kecergasan sivil,
Tidak mengerti kemantapan radikal sosial,
Sempit dan sesat ditambah pula dengan gerudi syaitan goda,
Yang mendukakan imej kau wahai rumpun melayu.
Kini aku fikir penyatuan,
Yang digemparkan wazir kita,
Tidak lengkap jika hanya sekelumit sutra,
Melawani desir ancaman kuasa besar,
Yang mana boleh digerombolkan sedikit demi sedikit,
Sehingga membatasi serakan teriak kata-kata semangat,
Disemai dan disemat di sanubari jiwa.
Kini aku juga fikir kau rumpun,
Perlembagaan dan peganganmu mesti dikukuh,
Kental; padat serta tidak rapuh ditelan zaman,
Supaya menjadi satu resam bangsa berjaya,
Pertahankan linguistik cakapan kita,
Kerana ketika dulu pernah menjadi lingua franca,
Sejak zaman Hang Tuah; Tun Perak; Tun Tahir,
Tetapi lenyap dan longlai akibat arus jajahan
Melanda di seantero pentas tanah melayu tika itu.
HASIL NUKILAN NOR AZRIN SHAH BIN RAMLI
5.06a.m
10/6/06
SMK RAJA CHULAN(idea dan ilham daripada saya sendiri)
Tahukah Wahai Sahabat?
Tahukah wahai sahabat?
Dunia kini diambang globalisasi,
Metodosnya pemikiran kita masih menyepi,
Perlu berjuang mencapai visi,
Diselitkan dengan ragam misi,
Yang selama ini dijauhi diri kita sendiri.
Pemimpin kita bercermin mutu,
Kerana semangatnya dan perjuangannya yang jitu,
Tidak kira Isnin; Selasa ataupun Rabu,
Memasang lukah di jendela pintu,
Melabuh sauh di gapura padu,
Sampaikan negara disanjung; disegani restu.
Wacana minda kita,
Mahukan kemajuan bersama,
Kita haruspasti berpadu tenaga,
Bina kuatan aliran ikatan nama,
Hingga ke titisan akhir masa.
Kita perlu gunakan peluang yang ada,
Realisasikan wawasan negara,
Yang digembar-gemburkan wazir kita,
Jangan kita lalai dan leka,
Dalam mempertahankan daulat bangsa.
Cerapan fikiran Barat,
Yang ingin monopoli sayap dunia sarat,
Kerana mereka imperialisme yang hebat,
Sejarah membuktikan dengan ligat,
Tentang mereka dahulu cepat dan tepat,
Tetapi perlu tahu mereka sebenarnya tidak begitu hebat,
Kerana hanya Yang Maha Esa lebih berkuasa,
Dan akhirnya mereka ditebat-Nya.
HASIL NUKILAN NOR AZRIN SHAH BIN RAMLI
12.20a.m
24/5/06
SMKRC(idea dan ilham sendiri)
Hak Asasi Manusia???>(budaya orang kita)
Berapa ramaikah manusia di dalam dunia ini tahu tentang hak mereka??? Adakah mereka sedar dengan setiap haknya di muka bumi ini??? secara umumnya hak manusia terbahagi kepada beberapa tahap. Menurut laman web wikipedia, Hak Asasi Manusia:-
Pada lazimnya, hak asasi manusia adalah berdasarkan kepada perisytiharan yang dibuat oleh Perhimpunan Agung Pertubuhan Bangsa-Bangsa Bersatu (UN) pada 10 Disember 1948. Perisytiharan ini yang dikenali sebagai Perisytiharan Hak Asasi Manusia Sejagat (UDHR) telah membahagikan hak asasi manusia kepada empat kebebasan utama iaitu:
kebebasan daripada ketakutan
kebebasan daripada kemahuan
kebebasan bersuara
kebebasan kepercayaan.
Ia menyenaraikan pelbagai hak asasi manusia, daripada hak sivil dan politik sehinggalah hak ekonomi, sosial dan kebudayaan.
Secara literalnya, hak asasi manusia ini berkaitan dengan kemanusiaan yang merujuk kepada semua hak yang dimiliki manusia. Sebagai contoh, hak menerima tanah, hak mendapat kebebasan bersuara, hak memberi bimbingan dan sebagainya. Menurut Wikipedia lagi, konsep kemanusiaan ialah
Konsep Hak kemanusiaan adalah berdasarkan andaian bahasa semua insan memiliki satu bentuk hak yang sama, sebagaimana mereka memiliki indentiti insan, yang tidak dipengarahui oleh faktor tempatan, perkauman dan kewarganegaraan.
Pada dasarnya, Hak kemanusiaan boleh difahamkan dari dua segi, yakni dari segi perundangan dan juga dari segi moral. Dari segi perundangan, Hak kemanusian merupakan satu bentuk hak yang dinikmati oleh seorang warganegara seperti apa yang telah termaktub dalam undang-undang negara berkenaan. Contohnya,dalam perlembagaan malaysia terdapat penerangan mengenai hak kemanusiaan yang terlindung di bawah perlembagaan[1]. Percabulan hak kemanusiaan yang berkenaan, mungkin akan membawa kepada tindakan undang-undang yang sewajarnya. Penakrifan hak kemanusiaan dari segi undang-undang adalah berbeza dari satu negara ke satu negara yang lain.
Dari satu segi moral, Hak Kemanusiaan merupakan satu tanggapan moral yang didukung oleh anggota masyarakat. Sehubungan dengan perkara ini, anggota masyarakat akan mengakui wujudnya hak tertentu yang harus dinikmati oleh setiap individu, yang dianggap sebagai "sebahagian daripada sifatnya sebagai manusia", walaupun ia mungkin tidak termaktub dalam undang-undang. Maka anggota-anggota masyarakat berkenaan akan cuba megelakkan diri daripada mencabuli hak masing-masing dengan penuh perasaan moral.
Kewujudan, keabsahan dan isi kandungan Hak kemanusiaan telah menjadi isu pendebatan dalam bidang falsafah dan sains politik. Dari segi perundangan, Hak kemanusiaan telah termaktub dan diberi takrifan dalam undang-undang antarabangsa, dan juga dalam undang-undang bagi sesetengah negara. Walaupun begitu, cara penakrifan dan pelakasaan hak kemanusiaan masih memperlihatkan kepelbagaian.
Bagi kita sebagai rakyat Malaysia, kita perlu berfikiran matang dengan apa yang berlaku di sekeliling kita. Janganlah kita mempunyai sikap seperti "tidak endah", "biarlah", "entahlah" dan sebagainya. kita perlu mempertahankan hak masing-masing. Walaupun kalau ikutkan sejarah dahulu mengatakan kita sangat pegang teguh kepada adat dan budaya melayu terutamanya, persoalannya mengapa kita tinggal dan buang adat dan budaya begitu sahaja sehingga terpengaruh dengan budaya lain(budaya barat), mengagong2kan budaya mereka, menjadi ikutan dan menjadi seperti budaya dan kehidupan kita seharian. Oleh sebab kita sering membawa masuk teknologi luar dan juga beberapa medium media terutamanya media massa, kita perlu sedar bahawa kita ini sering terikat dengan mainstream kita sendiri.
Ke manakah orang melayu kita yang ingin menjaga warisan budaya tradisional kita. Mengapa kita perlu terikut dengan hiburan yang terpengaruh daripada budaya barat seperti akademi fantasia, permainan bola sepak(lihat EPL di Astro, Bundesliga dll) dan sebagainya sehingga membazirkan masa yang sepatutnya diisi dengan masa aktiviti yang lebih berfaedah. Mengapa kita tak mempertahankan Mak Yong(teater tradisi melayu yang diangkat oleh dunia sebagai warisan dunia melalui Unesco)? Kenapa begini? Hal ini kita perlu salahkan orang melayu kita sendiri. Secara sedar atau tidak zaman sekarang orang kita lebih suka hendak jadi penyanyi akibat terpengaruh dengan rancangan realiti di TV. Mengapa kita sering tengok EPL sampai pagi tetapi prestasi bola sepak kita masih di tahap yang rendah? Adakah orang kita sendiri yang lebih meminati bola sepak di luar negara? Kita menjadi fanatik terhadap bola sepak di Astro. Secara langsung pada fikiran saya tak lama lagi hal ini akan menjadi budaya orang kita. Tak salah untuk menonton EPL sebenarnya tetapi lebih elok kalau kita cari dan perhati balik budaya apa yang sepatutnya orang kita buat dan boleh jadi contoh kepada masyarakat lain... Setiap orang ada hak untuk memikirkan jalan terbaik........ banyak lagi perkara yang perlu kita fikirkan.....bersambung......
Pada lazimnya, hak asasi manusia adalah berdasarkan kepada perisytiharan yang dibuat oleh Perhimpunan Agung Pertubuhan Bangsa-Bangsa Bersatu (UN) pada 10 Disember 1948. Perisytiharan ini yang dikenali sebagai Perisytiharan Hak Asasi Manusia Sejagat (UDHR) telah membahagikan hak asasi manusia kepada empat kebebasan utama iaitu:
kebebasan daripada ketakutan
kebebasan daripada kemahuan
kebebasan bersuara
kebebasan kepercayaan.
Ia menyenaraikan pelbagai hak asasi manusia, daripada hak sivil dan politik sehinggalah hak ekonomi, sosial dan kebudayaan.
Secara literalnya, hak asasi manusia ini berkaitan dengan kemanusiaan yang merujuk kepada semua hak yang dimiliki manusia. Sebagai contoh, hak menerima tanah, hak mendapat kebebasan bersuara, hak memberi bimbingan dan sebagainya. Menurut Wikipedia lagi, konsep kemanusiaan ialah
Konsep Hak kemanusiaan adalah berdasarkan andaian bahasa semua insan memiliki satu bentuk hak yang sama, sebagaimana mereka memiliki indentiti insan, yang tidak dipengarahui oleh faktor tempatan, perkauman dan kewarganegaraan.
Pada dasarnya, Hak kemanusiaan boleh difahamkan dari dua segi, yakni dari segi perundangan dan juga dari segi moral. Dari segi perundangan, Hak kemanusian merupakan satu bentuk hak yang dinikmati oleh seorang warganegara seperti apa yang telah termaktub dalam undang-undang negara berkenaan. Contohnya,dalam perlembagaan malaysia terdapat penerangan mengenai hak kemanusiaan yang terlindung di bawah perlembagaan[1]. Percabulan hak kemanusiaan yang berkenaan, mungkin akan membawa kepada tindakan undang-undang yang sewajarnya. Penakrifan hak kemanusiaan dari segi undang-undang adalah berbeza dari satu negara ke satu negara yang lain.
Dari satu segi moral, Hak Kemanusiaan merupakan satu tanggapan moral yang didukung oleh anggota masyarakat. Sehubungan dengan perkara ini, anggota masyarakat akan mengakui wujudnya hak tertentu yang harus dinikmati oleh setiap individu, yang dianggap sebagai "sebahagian daripada sifatnya sebagai manusia", walaupun ia mungkin tidak termaktub dalam undang-undang. Maka anggota-anggota masyarakat berkenaan akan cuba megelakkan diri daripada mencabuli hak masing-masing dengan penuh perasaan moral.
Kewujudan, keabsahan dan isi kandungan Hak kemanusiaan telah menjadi isu pendebatan dalam bidang falsafah dan sains politik. Dari segi perundangan, Hak kemanusiaan telah termaktub dan diberi takrifan dalam undang-undang antarabangsa, dan juga dalam undang-undang bagi sesetengah negara. Walaupun begitu, cara penakrifan dan pelakasaan hak kemanusiaan masih memperlihatkan kepelbagaian.
Bagi kita sebagai rakyat Malaysia, kita perlu berfikiran matang dengan apa yang berlaku di sekeliling kita. Janganlah kita mempunyai sikap seperti "tidak endah", "biarlah", "entahlah" dan sebagainya. kita perlu mempertahankan hak masing-masing. Walaupun kalau ikutkan sejarah dahulu mengatakan kita sangat pegang teguh kepada adat dan budaya melayu terutamanya, persoalannya mengapa kita tinggal dan buang adat dan budaya begitu sahaja sehingga terpengaruh dengan budaya lain(budaya barat), mengagong2kan budaya mereka, menjadi ikutan dan menjadi seperti budaya dan kehidupan kita seharian. Oleh sebab kita sering membawa masuk teknologi luar dan juga beberapa medium media terutamanya media massa, kita perlu sedar bahawa kita ini sering terikat dengan mainstream kita sendiri.
Ke manakah orang melayu kita yang ingin menjaga warisan budaya tradisional kita. Mengapa kita perlu terikut dengan hiburan yang terpengaruh daripada budaya barat seperti akademi fantasia, permainan bola sepak(lihat EPL di Astro, Bundesliga dll) dan sebagainya sehingga membazirkan masa yang sepatutnya diisi dengan masa aktiviti yang lebih berfaedah. Mengapa kita tak mempertahankan Mak Yong(teater tradisi melayu yang diangkat oleh dunia sebagai warisan dunia melalui Unesco)? Kenapa begini? Hal ini kita perlu salahkan orang melayu kita sendiri. Secara sedar atau tidak zaman sekarang orang kita lebih suka hendak jadi penyanyi akibat terpengaruh dengan rancangan realiti di TV. Mengapa kita sering tengok EPL sampai pagi tetapi prestasi bola sepak kita masih di tahap yang rendah? Adakah orang kita sendiri yang lebih meminati bola sepak di luar negara? Kita menjadi fanatik terhadap bola sepak di Astro. Secara langsung pada fikiran saya tak lama lagi hal ini akan menjadi budaya orang kita. Tak salah untuk menonton EPL sebenarnya tetapi lebih elok kalau kita cari dan perhati balik budaya apa yang sepatutnya orang kita buat dan boleh jadi contoh kepada masyarakat lain... Setiap orang ada hak untuk memikirkan jalan terbaik........ banyak lagi perkara yang perlu kita fikirkan.....bersambung......
Thursday, January 29, 2009
aku adalah aku..
biodataku.
norazrinshahramli
yen
azrin
bob
27mei1987
oldtown, malaysia.
budaklakonan_usm@yahoo.com
lang_135@yahoo.com
yean135@gmail.com
tel num:-012-5878271
friendster,myspace dan hi5 pun ada, tapi guna alamat lang_135@yahoo.com..
apa lagi korang nak tahu...
rasanya cukup setakat ini dulu.....
simple jer...
simple life is good from complicated...
that's all from me....
saya suka berkawan dengan sesiapa sahaja.... baik ke dia... jahat ke dia.... semua saya kawan.... sebab kita semua kan manusia...pengalaman hidup kita kan berbeza..... semua orang nak jadi baik....semua orang nak yang terbaik....semua orang nak popular...semua orang nak jadi yang paling popular....semua orang nak menonjol.... semua orang nak jadi orang yang paling menonjol.... tapi semua tu tak penting.... yang pentingnya semua orang mesti ada niat yang baik yang tertanam di hati....bukan semua manusia boleh jadi pemimpin yang terbaik dan lagi terbaik macam pemimpin terdahulu....tetapi semua manusia boleh jadi orang yang terpimpin....ini bermakna setiap manusia layak untuk jadi manusia yang hidup dengan kemahuan yang ada pada diri masing-masing.... kita perlu jadi seperti diri kita sendiri....ini bermakna kita dah memimpin diri kita sendiri.....bila kita dah pimpin diri kita sendiri barulah kita boleh pimpin orang lain.....
begitulah sahaja mukadimah saya dalam coretan yang pertama ni.....
"sentiasa fikirkan positif untuk membuat sesuatu yang ingin kita lakukan"
-yen
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