Ideologi Boal patut dikembangkan dalam memperbetulkan politik di Perak????

Assalamualaikum w.b.t dan salam sejahtera.....

Berjumpa lagi kita.....
Rasanya korang semua tahu apa yang berlaku kat perak...tapi pernahkah anda semua terfikir, manusia sekarang ini berperang bukannya kerana kebenaran lagi tetapi sebaliknya berperang kerana inginkan kuasa dan politik yang berbaur kotor dan jijik. Mengapa pemimpin kita pada masa kini lebih suka bergaduh kerana politik???menipu masyarakat sekeliling.... Masyarakat M'sia ni bodoh ke...atau kurang berfikir atau tak ambil tahu.... Macam-macam persepsi yang boleh kita katakan dalam menilai masyarakat kita ini. Sedarkah kita pemimpin ini salah satu tugasnya memimpin rakyatnya atau pengikutnya? kalau dah kata mengikut arusnya maka rakyat akan terpengaruh dan hidup dalam kepimpinan pemimpin la.... Kalau pemimpin itu pandai berlakon dan menipu rakyat maka rakyat pun akan jadi bodoh dan tergolong dalam golongan pesimis seperti yang dikaji oleh Frankfurt School di Amerika pada awal 1930-an, di mana masyarakat di Amerika pada masa itu terikut-ikut dengan propaganda kerajaan, meiyakan sesuatu itu adalah benar dan betul bagi pihak kerajaan, tanpa memikir dan mengkaji kesungguhan kerajaan Amerika dalam membantu rakyat. Tapi sekarang lihatlah kat Amerika kerajaan berubah pun tapi masih ada permainan boneka politik yang diasaskan oleh Pemimpin juga..... Anda tahu tak Augustus Boal.... Pemimpin di Brazil yang sangat hebat pemikirannya dan memimpin rakyat dengan cara yang betul dan tidak ada makna kuasa mutlak dalam hidupnya, ibarat beliau dan rakyat di Brazil sama sahaja... beliau adalah merupakan pemimpin kalau kat Malaysia macam Adun lah...macam YB jugak la tapi... Beliau YB yang terkenal dengan kritikan terhadap persembahan teater yang bermesej bagi tujuan MENEGAKKAN KEBENARAN....

BIOGRAFI AUGUSTO BOAL


Boal, Augusto
May 2000
In the 1960's Dr. Boal Augusto developed a process whereby audience members could stop a performance and suggest different actions for the actors, who would then act on the audience suggestions. Audience members became empowered not only to imagine change, but to generate social action. In 1971, after the publication of his first book, The Theatre of the Oppressed, Boal was arrested, tortured, exiled to Argentina and self exiled to Europe. He continued to teach his revolutionary approach to theatre, establishing several Centers for the Theatre of the Oppressed. In 1981 Boal organized the first International Festival of the Theatre of the Oppressed in Paris. In 1992 Boal ran and successfully won the position of Vereador of Rio, and developed a forum type of theatre, the Legislative Theatre, to identify key problems in the city. Using this forum concept, he employed dynamics of the theatre to discuss what kinds of legislation needed to be enacted to address community problems. The resulting discussions and demonstrations became the basis for actual legislation put forward by Boal in the Chamber of Vereadors. In 1997, Boal was awarded the Career Achievement Award by the Association for Theatre in Higher Education during their national conference.


Menurut WIKIPEDIA,

Augusto Boal (born April 16, 1931 in Rio de Janeiro, Brazil) is a theatre director, writer and politician. He is the founder of Theatre of the Oppressed, a theatrical form originally used in radical popular education movements. Boal served one term as a Vereador (the Brazilian equivalent of city council seat in US politics) in Rio de Janeiro from 1992 to 1996, where he developed legislative theatre[1]. Boal was recently nominated for the 2008 Nobel Peace Prize


Early Life
Boal took an interest in theatre at an early age, but did not become involved until he received his degree. Shortly after graduating from university, Boal was asked to work with the Arena Theatre in São Paulo, southeast Brazil. It was here that he began to experiment with new forms of theatre.

[edit] Exile
Boal’s teachings were controversial, and as a cultural activist he was seen as a threat by the Brazilian military regime. In 1971 Boal was arrested and tortured. He was eventually exiled to Argentina, where in 1973 he published his first book "Theatre of the Oppressed". He later fled to Europe, and eventually lived in Paris. There he taught his revolutionary approach to theatre for 12 years, creating several Centers for the Theatre of Oppressed, and in 1981, organizing the first International Festival for the Theatre of Oppressed.
After the fall of Brazil’s military dictatorship, Boal returned to Rio de Janeiro where he lives to this day. He has since established a major Center for the Theater of the Oppressed in Rio (CTO Rio), and has started over a dozen theater companies that work to develop community-based projects.

[edit] Influences
Most of Augusto Boal’s techniques were created after he realized the limitations of didactic politically motivated theatre in the poor areas where he worked. He found that his attempts to inspire the people living in poor or 'slum' areas to rise up against racial and class inequality were inhibited by his own racial and class background, since he was white and comparatively financially comfortable. His new techniques allowed the idea of rebellion and the impetus for change to come from within the target group. Much of his early work and teaching was inspired by a Marxism philosophy, although through his career he has not been restricted by this and much of his work now falls within the boundaries of a centre left ideology.
Paulo Freire was a major influence on Boal’s teachings. He and Freire became close in later years. When Freire died, Boal said "I am very sad. I have lost my last father. Now all I have are brothers and sisters".[3]


Pemimpin macam Boal ni tak ada dalam M'sia lagi.... Tapi harap-harap la ada.... Bagi saya, yang juga mempelajari teknik Boal ni di Usm, memang patut dikembangkan dalam masyarakat kita melalui pentas manusia yang terbuka....